 |
|
|
Our clients include |
|
|
|
| 4 Creative |
Adidas Predator |
|
| AIVAF |
Alton Towers |
|
| B Sky B |
BBC Broadcast |
|
| BBC Digital |
BBC Worldwide |
|
| Big Talk Productions |
Blink Productions |
|
| Brennan & Whalley |
BT |
|
| BUPA |
Cadbury |
|
| Canadian Tyre |
CF1 Cyf |
|
| Channel 4 |
Chemical Brothers |
|
| Chips Ahoy |
Churchill Insurance |
|
| CMG IT |
Crooks Healthcare |
|
| Dangerous Films |
De Kabel |
|
| Diet Coke |
Direct Line Insurance |
|
| Discover Credit Card |
Draw Pictures |
|
| Flame Television |
Flynn Productions |
|
| Ford |
Gaumont |
|
| HSI London |
Imperial War Museum |
|
| Independent |
Jack Morton Associates |
|
| Jagged Films |
Kellogs |
|
| Lippe Taylor |
Lipton Brisk |
|
| Lotto |
Lucid |
|
| Madame Tussauds |
Mars |
|
| McDonalds |
MIRAMAX |
|
| MJZ |
Nestle |
|
| Oxfam |
Paramount British Pictures |
|
| Pepsico |
Phil McIntyre Entertainment |
|
| Pioneer Productions |
Playboy |
|
| Pretty Polly |
Red Bee Media |
|
| Redmond Products |
Revolution Films |
|
| Robbie Williams |
Royco Minute Soup |
|
| RTH Group |
Science Ltd |
|
| Shell |
Smith and Sons |
|
| Sony |
Spyglass Entertainment |
|
| Stereophonics |
STIBAT |
|
| Sun Dance Films |
Teacher Training Agency |
|
| The Bee Gees |
The Black Watch Regimental Museum |
|
| The Menier Chocolate Factory |
Thinktank |
|
| Thorpe Park |
Trunk Animation |
|
| U2 |
Unilever |
|
| United Artists |
Virgin Media Television |
|
| Volkswagen |
Walkers |
|
| Wall To Wall |
Warm and Fuzzy |
|
| Weetabix |
Winchester Films |
|
| Working Title Films |
Zoltar |
|
| 3 Celebs and a Baby |
7Eleven |
|
| Animals In The Womb |
Aussie Hair Care |
|
| Bacardi |
BBC1 Christmas |
|
| Blackbeard |
BMW Traffic |
|
| Bonjela |
Cola Cao |
|
| Dan MacMillan |
Dove Conditioner |
|
| Enigma |
Galaxy Caramel |
|
| Galaxy Hazelnut |
George Clooney |
|
| Gosser Beer TROUT |
Hackers |
|
| Hot Fuzz |
Just Visiting |
|
| Lazytown |
Light Fantastic |
|
| Lighthouse |
Little Shop of Horrors |
|
| LIVING |
MERL |
|
| Nicorette |
Nurofen |
|
| Peperami |
Pimms Hamper |
|
| Pinocchio |
Ponti Cactus |
|
| Quaker Oats |
Reign of Fire |
|
| Rolls Royce |
The Borrowers |
|
| The Brothers Grimm |
The Dreamer |
|
| The Millennium Dome |
Toby The Square Boy |
|
| Tomb Raider II Cradle of Life |
Troy |
|
|
|
|
|
|
|
|
Some happy customers |
|
|
|
|
|
|
|
"Thanks a million for knocking out such a fab chameleon in such a short time. You've made us look good!"
Mark Denton, Director, Blink Productions |
|
|
|
"The car performed brilliantly and looked totally convincing. The bodywork reflected the harsh sunlight exactly as a full size car would have done and the wheels kicked up dust just like a real moon buggy."
Doug Foster, Director, Blink Productions |
|
|
|
"The different silicon models Artem made for the film were very impressive. I was fascinated by the processes that went into transforming the foetal ultrasound images and other reference into the absolutely realistic models."
Dr Thomas Hildebrandt, Ultrasound Expert, |
|
|
|
"What a wonderful job you have all done on our babies. The models are amazing, and everyone says so. The footage that David has shot is extraordinary. I have a great time lying to people them about what is real and what is a model."
Toby Macdonald, Producer/Director, |
|
|
|
"This was a major undertaking, and relied on planning, careful execution and clear communication between Tom Vaughn, Marco Puig (Production Designer), Steve Truglia (Stunt Co-odinator), Simon Taylor and the Artem team.
I don't think the shoot day could have run more smoothly and great to achieve the effect in camera, with only minor enhancement in post."
Jeremy Barnes, Producer, HLA |
|
|
|
"I have worked with Artem many times over the years as a Producer making television commercials and always found them to be innovative, enthusiastic and creative - whatever the scale of the budget.
When I turned to them for their help on The Dreamer, a highly ambitious science faction short film about human cloning, they threw themselves into the project despite lack of funds.
They designed a termination, electrocution arm that was so superb it could have come from a Hollywood mega movie. Not only did it look fantastic, but it also worked.
It was the key piece of hardware ? the whole production would not have worked without it looking totally believable.
During the short seven days of our production, they supplied a highly professional effects team to standby during the shooting ensuring that everything went smoothly and that we achieved virtually everything on our storyboards and shot lists.
I recommend Artem and their team to all Producers about to make a movie in England involving any kind of physical special effects. They won?t let you down."
Ivor Powell, Producer, The Dreamer |
|
|
|
"Many analogue viewers are confused about how to get the 6 BBC Digital channels. The monkeys deliver this complex information in a simple and charming way."
Annabel Cameron, Marketing Manager, BBC Digital |
|
|
|
"The gallery is already a great success with over 4,000 visitors in the first couple of days. Interaction was a long time in the planning and it is wonderful to now see all the hard work from such a great team, come to fruition."
Bruce Davies, Director, AIVAF |
|
|
|
"We were really happy with the work Artem did for us. Chris Martin and his team were excellent."
Blake Powell, Producer, Stink |
|
|
|
"Artem built a range of fantastic rigs to make the tables look like they were fighting. These involved wires, wheels, springs and quad-bikes. It was great doing so many of the effects for real, because we could see just how the fight was going to look. It was also quite satisfying to see how violently we could make the tables hit each other. Artem did a great job - especially considering they were continually being blasted by their colleagues with fake snow and wind machines."
Dougal Wilson, Director, Blink Productions |
|
|
|
"In the short timeframe given, Artem carefully considered our needs and expectations, providing a quality bespoke design. Simon Tayler and his team were conscientious and efficient in their delivery and our client has fed back how pleased they are with the exhibit."
Richard Hollyer, Project Manager, Tussauds |
|
|
|
"The figure is certainly pulling the crowds. Women just love to grab hold of him!"
Kees Klesman, General Manager, Madame Tussauds Amsterdam |
|
|
| |
