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Our clients include |
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| 4 Creative |
Adidas Predator |
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| AIVAF |
Alton Towers |
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| B Sky B |
BBC Broadcast |
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| BBC Digital |
BBC Worldwide |
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| Big Talk Productions |
Blink Productions |
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| Brennan & Whalley |
BT |
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| BUPA |
Cadbury |
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| Canadian Tyre |
CF1 Cyf |
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| Channel 4 |
Chemical Brothers |
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| Chips Ahoy |
Churchill Insurance |
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| CMG IT |
Crooks Healthcare |
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| Dangerous Films |
De Kabel |
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| Diet Coke |
Direct Line Insurance |
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| Discover Credit Card |
Draw Pictures |
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| Flame Television |
Flynn Productions |
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| Ford |
Gaumont |
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| HSI London |
Imperial War Museum |
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| Independent |
Jack Morton Associates |
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| Jagged Films |
Kellogs |
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| Lippe Taylor |
Lipton Brisk |
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| Lotto |
Lucid |
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| Madame Tussauds |
Mars |
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| McDonalds |
MIRAMAX |
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| MJZ |
Nestle |
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| Oxfam |
Paramount British Pictures |
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| Pepsico |
Phil McIntyre Entertainment |
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| Pioneer Productions |
Playboy |
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| Red Bee Media |
Redmond Products |
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| Revolution Films |
Robbie Williams |
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| Royco Minute Soup |
RTH Group |
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| Science Ltd |
Shell |
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| Smith and Sons |
Sony |
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| Spyglass Entertainment |
Stereophonics |
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| STIBAT |
Sun Dance Films |
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| Teacher Training Agency |
The Bee Gees |
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| The Black Watch Regimental Museum |
The Menier Chocolate Factory |
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| Thinktank |
Thorpe Park |
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| Trunk Animation |
U2 |
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| Unilever |
United Artists |
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| Virgin Media Television |
Volkswagen |
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| Walkers |
Wall To Wall |
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| Weetabix |
Winchester Films |
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| Working Title Films |
Zoltar |
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| 3 Celebs and a Baby |
7Eleven |
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| Animals In The Womb |
Aussie Hair Care |
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| Bacardi |
BBC1 Christmas |
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| Blackbeard |
BMW Traffic |
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| Bonjela |
Cola Cao |
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| Dan MacMillan |
Dove Conditioner |
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| Enigma |
Galaxy Caramel |
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| Galaxy Hazelnut |
George Clooney |
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| Hackers |
Hot Fuzz |
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| Just Visiting |
Lazytown |
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| Light Fantastic |
Lighthouse |
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| Little Shop of Horrors |
LIVING |
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| MERL |
Nicorette |
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| Nurofen |
Peperami |
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| Pimms Hamper |
Pinocchio |
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| Ponti Cactus |
Quaker Oats |
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| Reign of Fire |
Rolls Royce |
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| The Borrowers |
The Brothers Grimm |
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| The Dreamer |
The Millennium Dome |
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| Toby The Square Boy |
Tomb Raider II Cradle of Life |
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| Troy |
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Some happy customers |
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"We were really pleased with the results and indeed the service provided by Artem. We got exactly what we needed for our shoot."
Kate Woodall, Freelance Producer, Bare Films |
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"Everyone is absolutely delighted with the finished spot. We were all in the pub, where we shot some of the live action, for it's first airing and the punters loved it too!"
Claire Campbell, Producer, MTP |
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"The work is brilliant - naturalistic and great movement too. Exec Producers and Commissioning Editors are very happy! Well done!"
, , Wall to Wall Television |
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"Artem came up trumps again with both the Peperami puppet and the props...
Re-creating the puppet character in all his glory and making props
like the ladder, diving board and food processor all in keeping with the slightly strange world of Pep!
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Glenn Holberton, Producer, Loose Moose |
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"Rob Thomas was fantastic on both our Digital jobs (coping and smiling constantly through a very fast turnaround job)."
Bridie Harrison, Production Manager, BBC Broadcast |
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"This was a major undertaking, and relied on planning, careful execution and clear communication between Tom Vaughn, Marco Puig (Production Designer), Steve Truglia (Stunt Co-odinator), Simon Taylor and the Artem team.
I don't think the shoot day could have run more smoothly and great to achieve the effect in camera, with only minor enhancement in post."
Jeremy Barnes, Producer, HLA |
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"Artem are brilliant! Everything that Artem has delivered to us has been of the utmost first class and always perfectly timed."
Ronaldo Vasconcellos, Line Producer, Hot Fuzz |
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"I was warned by our Art Director that it may not be possible to achieve a physical giant snowball in the time available and that if we did manage it would have to be built from polystyrene as an inflatable would be too bouncy and therefore unrealistic.
Artem came to the rescue saying they could just about get it ready in time, coming up with the great idea of building it from segments and putting it together on set. There were a few scary moments when we thought there may not be enough space at the location to assemble it and a crane had to be called in to help, but come the shoot day there it was, a huge 19ft high snowball ready and waiting for it's moment on camera. People keep asking me if it was made out of real snow which snows what a great job Artem did."
Ella Littlewood, Producer, Red Bee Media |
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"The Black Watch Museum is thrilled to have such an astonishingly realistic figure - one that is of a totally different calibre to most seen in other museums."
Lieutenant Colonel Stephen Lindsay, Black Watch Regimental Secretary, Black Watch Regimental Museum |
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"It has been a very exciting collaborative process working with Artem on Audrey II. From presenting the designs and maquettes, the team really ran with the ideas, offering up innovative technical solutions and manufacturing techniques to help bring the plants to life."
David Farley, Production Designer, Little Shop of Horrors |
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"They weren't models they were works of art."
Dave Waters, Director, DFGW |
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"We were really happy with the work Artem did for us. Chris Martin and his team were excellent."
Blake Powell, Producer, Stink |
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